A rally, with a smidgen of protest, outside the Minnesota Orchestra’s Symphony Ball

As the last notes of a tune by the Copper Street Brass Band faded into the light rain of a September evening and the audience of some 250 people outside Orchestra Hall applauded, the drummer waved his sticks and howled.

“Yes! We’re playing music!  We played music!” he yelled. “The lobby does not play music!” The crowd applauded its approval.

Organizers stressed this was a rally not a protest.

“What we are here to do is celebrate the music and the musicians of the Minnesota Orchestra,” said organized Mariellen Jacobson of Save Our Symphony Minnesota. “We are not here to vilify the people who are coming to the Symphony Ball or the Crash the Ball event later on. Rather we are here to welcome them to encourage them to use their influence to help us get this lock out ended and to come out and join us on the sidewalk if they’d like.”

But with a line of security folks who politely, firmly, and repeatedly reminded participants not to block entryways, there didn’t seem to be a huge amount of exchange going on.

Tony Ross, the Orchestra’s principal cello, and a member of the negotiating committee looked on in disbelief.

“You have to ask yourself, well, Symphony Ball? No symphony? Let’s celebrate this horrendous year? Let’s celebrate without the Orchestra? The Symphony Ball should be about a great orchestra. I don’t get it.” Ross says he doesn’t trust the leadership to do the right thing for the organization

Organizers of the Ball say they strongly considered canceling the event given the almost year-long lock out. But said board member Doug Kelley, the organization needs the money. The Symphony Ball raises about a million dollars in one night. It’s the largest single fundraiser of the year, and Kelly says, the organization really needs the money right now.

“It is a solemn night,” said Kelley, who is also on the management negotiating committee. “We have never in the history of the symphony had labor strife going on at the time of the symphony. But what people also ought to know is that the people  who are inside the Symphony Hall are people who care deeply about the orchestra.”

Kelley was seated in the new Green Room, overlooking Peavey Plaza, where the rally below.  “They are all great people,” said Ben Jaffray, standing nearby looking splendid in his tuxedo for the ball.  He says he believes there will be an orchestra in Minneapolis, but he doesn’t think the musicians union has acknowledged the true financial difficulties of the Minnesota Orchestra, which includes a $6 million deficit.  When asked about whether he thinks the current situation can be resolved he’s blunt.

“I am a little less than 50-50,” he said. “And I think it would be a tragedy. I believes there is some musicians leadership out there that is serious recognizes the problem,  but also recognizes the potential we have for the orchestra, for the conductor we have, for the community we have, for the hall we have.” He says however there is no way the orchestra can generate the revenue it needs if it has a musicians contract which he describes as a losing proposition.

As the Ball and the rally continued within yards of each other, the two sides in the dispute say they are exchanging information through the mediator George Mitchell. As Mitchell has requested, neither side will say any more as they work towards finding a way back to the negotiating table. Looming just around the corner is the deadline set by Music Director Osmo Vanska that he wants to be rehearsing with musicians by the week of Sept. 30th for November concerts at Carnegie Hall. He has said if those concerts are cancelled, he will resign. It’s an outcome no-one wants.

  • Betty

    I can scarcely believe that they would hold a ball with a locked-out orchestra…and it absolutely beggars the imagination that the MOA would not invite their own artistic director, conductor and face of the Minnesota Orchestra to this important gala. An immense insult.

  • Ricardo

    Are you quite sure that’s an “outcome no one wants”…? It doesn’t sound to me like the big money at the MOA really wants Osmo around anymore. They’re certainly dropping big enough hints.
    This should be enough to tell you about their vision of the Minnesota Orchestra: Good enough, affordable, available for weddings. Why would we want anything as threatening as excellence?

    • Jimi Michiel

      Exactly. Richard Davis stated that “Osmo may have to leave. The board is resolved to know that that is a risk. Carnegie, the opening of the hall. All three may have to fall.” You get the sense that the MOA is almost looking forward to “shooting the hostages” here.

  • Sarah

    If these donors “care” about the orchestra as much as Doug Kelley says, then they will give regardless of whether there is a ball or not. How much was spent on the tents and shrubbery?? So is that $1 mil “gross” or “net”?

  • JonCampbell Avoidsconcerts

    The musicians’ union has not acknowledged the “true financial difficulties” of the MOA, because EVERY SINGLE NUMBER quoted by management is slippery or unverified or misleading.

  • melkp

    There must be a lot of anti-union sentiment on the board, which seems like a no-win proposition for an orchestra. They are always referring to the “musicians’ union.” Hello? The musicians ARE the union.

  • suzukimom

    If this board manages to destroy the Minnesota Orchestra, as they seem committed to doing, I hope that musicians the world over stand up and refuse to play in Minnesota.